GRMUS H670 — The Concerto: Its Evolution Since 1615

2 credits
Spring
L. Michael Griffel

A survey of the concerto from the Baroque era through the 20th century, this course will examine the numerous approaches composers have taken to write works scored for various combinations of voices and/or instruments. Dependent on the sonic relationships among soloists, small groups, and larger ensembles for their effectiveness, concertos at different times have stressed either the uniting of musical forces or their opposition. The survey will begin in the time of the Gabrielis in Venice and will include works by Vivaldi, Bach, Mozart, Beethoven, Brahms, Rachmaninoff, Berg, Bartók, and Carter. There will be reading, listening, and writing assignments.