EVCRT 411 - Music Theory and Analysis IV: At Tonality’s Edge

Patrick Kreeger
This course examines later 19th- and early 20th-century trends that contributed to the breakdown of traditional tonality around 1900 and the ensuing rise of new tonalities. An ongoing theme in this course is developing a working definition of tonality and the tension between harmonic and contrapuntal aspects of music. Prerequisite: Music Theory and Analysis III, or equivalent. Applicants should have knowledge of the following concepts: first- and second-level analysis; chromaticism including applied chords, mixture, Neapolitan chord, augmented sixth chords, and chromatic chords arising from extended tonicizations; figured bass symbols, with particular focus on chromatic notation. (i.e. flat sign below a Roman numeral vs. flat sign to the left of a Roman numeral); chromatic modulation; sonata form. Placement application required unless pre-approved to enroll.

13 weeks; 3 credits

Tuesdays 5:30–8:30pm ET

January 23–April 23

Online Only

$1,950

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