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Studio Lessons
	• VAHMU 100 — Baroque Viola
	• VASMU 100 — Viola
	• VBJMU 100 — Jazz Vibraphone
	• VCHMU 100 — Baroque Cello
	• VCSMU 100 — Cello
	• VGHMU 100 — Viola da Gamba
	• VNHMU 100 — Baroque Violin
	• VNSMU 100 — Violin
	• VOJMU 100 — Jazz Voice
	• VOVMU 100 — Voice
Ear Training
	• ETMUS 111-112 — Ear Training I
	• ETMUS 211-212 — Ear Training II
	• ETMUS 301 — Advanced Ear Training for Singers
	• ETMUS 301G — Advanced Ear Training for Singers
	• ETMUS 311-312 — Ear Training III
	• ETMUS 411-412 — Ear Training IV
	• ETMUS 511X-512X — Ear Training IxIIx
Keyboard Studies
	• KSMUS 100SR-200SR — Keyboard Sight-Reading
	• KSMUS 111-112 — Keyboard Skills I
	• KSMUS 141 — Piano I
	• KSMUS 142 — Piano II
	• KSMUS 211 — Keyboard Skills II
	• KSMUS 223 — Creative Improvisation
	• KSMUS 224 — Historical Improvisation and Ornamentation
	• KSMUS 225 — Techniques in Vocal Collaboration
	• KSMUS 226 — Contemporary Piano Music: Strategies and Techniques
	• KSMUS 241 — Piano III
	• KSMUS 242 — Piano IV
	• KSMUS 511X-512X — Keyboard Skills IxIIx
	• KSMUS 543 — Keyboard Improvisation
Music Theory and Analysis
	• THMUS 111 — Theory I: Diatonic Harmony
	• THMUS 111H — Honors Theory I: Aspects of Form and Structure
	• THMUS 211 — Theory II: Principles of Form
	• THMUS 211H — Honors Theory II: Chromatic Harmony and Analysis I
	• THMUS 311 — Theory III: Chromatic Harmony and Analysis
	• THMUS 311H — Honors Theory III: Chromatic Harmony and Analysis II
	• THMUS 411 — Theory IV: At Tonality’s Edge
	• THMUS 411H — Honors Theory IV: Counterpoint and Analytical Methods
	• THMUS 511 — Theory V: 20th Century and Beyond
	• THMUS 511H — Honors Theory V: Music of the 20th Century and Beyond
Music Theory: Electives
	• THMUS 521E — The Music of Mahler and Bernstein
	• THMUS 522E — Nationalism in 19th-Century Chamber Music
	• THMUS 526E — Brahms and Wagner
	• THMUS 528E — The Art Song: From Schubert to Rorem
	• THMUS 529E — Schoenberg and Stravinsky
	• THMUS 534E — Time-Benders: Stravinsky, Messiaen, Carter, and Others
	• THMUS 540E — The Symphonies of Beethoven
	• THMUS 543E — The Symphonies of Brahms
	• THMUS 544E — Giacomo Puccini: Verismo and Expanding the Boundaries in Italian Opera
	• THMUS 547E — Classicism in Music During the Romantic, Impressionistic and Early Contemporary Periods
	• THMUS 551E — Transformation in Tonal Music
	• THMUS 553E-554E — Advanced Counterpoint
	• THMUS 555E-556E — Advanced Harmony
	• THMUS 570E — Stravinsky in America
Music History
	• MHMUS 111 — From Antiquity to 1700
	• MHMUS 211 — From 1700 to 1850
	• MHMUS 311 — From 1850 to the Present
Music History: Electives
	• MHMUS 413 — C.P.E. Bach, Frederick the Great, and the Enlightenment Court
	• MHMUS 415 — Bach’s Cantatas
	• MHMUS 419 — Music in the Age of Handel
	• MHMUS 425 — Eighteenth-Century Works, Sources, and Contexts
	• MHMUS 439 — Mozart’s Narrative Art
	• MHMUS 440 — Beethoven and the Late Style
	• MHMUS 452 — Music on the Edge Since 1900
	• MHMUS 453 — Modernism in Opera
	• MHMUS 454 — The Early Music Revival
	• MHMUS 455 — The Arts in the Third Reich
	• MHMUS 459 — Musical Identity in the Modern World
	• MHMUS 473 — History of English Music
	• MHMUS 475 — Music in the Americas: A Cross-Cultural Perspective
	• MHMUS 480 — A Cultural History of Conducting and Orchestras
	• MHMUS 482 — Introduction to Ethnomusicology
	• MHMUS 486 — Music in New York City, 1865 to the Present
	• MHMUS 490 — Music and Community
Music Literature
	• MLMUS 301-302 — Guitar History and Literature
Piano Literature
	• MLMUS 133-134 — Piano Literature I
	• MLMUS 233-234 — Piano Literature II
	• MLMUS 333-334 — Piano Literature III
	• MLMUS 511 — Juilliard PianoScope
Music Studies
	• MSMUS 100 — Piano Topics
	• MSMUS 100A-200A — Alexander Technique
	• MSMUS 110 — Piano Performance Class I
	• MSMUS 141-142 — Fretboard Harmony I
	• MSMUS 211 — Basics of Conducting
	• MSMUS 221-222 — Piano Performance Class II
	• MSMUS 241-242 — Fretboard Harmony II
	• MSMUS 260 — Composing with Technology
	• MSMUS 303R-304R — Composition Practicum
	• MSMUS 321-322 — Piano Performance Class III
	• MSMUS 421-422 — Piano Performance Class IV
	• MSMUS 445-446 — Practicum in Classroom Pedagogy
	• MSMUS 500 — Piano Departmental Seminar
	• MSMUS 503R-504R — Composers’ Forum
	• MSMUS 511-512 — Orchestral Conducting (for Non-Majors)
	• MSMUS 513R-514R — Organ Lit & Performance
	• MSMUS 519-520 — Composition (for Non-Majors)
	• MSMUS 531-532 — Orchestration
	• MSMUS 531R-532R — Guitar Performance Class
	• MSMUS 533-534 — Advanced Orchestration
	• MSMUS 533R-534R — Piano Forum

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