|
Keyboard Studies |
|
• KSMUS 222 — Advanced Keyboard Skills
|
|
• KSMUS 241 — Piano Class III
|
|
• KSMUS 242 — Piano Class IV
|
|
• KSMUS 503 — Piano for Organists
|
|
• KSMUS 505 — Improvisation for Organists
|
|
• KSMUS 511X-512X — Keyboard Skills IxIIx
|
|
• KSMUS 543 — Keyboard Improvisation
|
Music Theory and Analysis |
|
• GRMUS 643T — The Bartók String Quartets
|
|
• THMUS 111 — Theory I: Diatonic Harmony
|
|
• THMUS 111H — Honors Theory I: Aspects of Form and Structure
|
|
• THMUS 211 — Theory II: Principles of Form
|
|
• THMUS 211H — Honors Theory II: Chromatic Harmony and Analysis I
|
|
• THMUS 311 — Theory III: Chromatic Harmony and Analysis
|
|
• THMUS 311H — Honors Theory III: Chromatic Harmony and Analysis II
|
|
• THMUS 411 — Theory IV: At Tonality’s Edge
|
|
• THMUS 411H — Honors Theory IV: Counterpoint and Analytical Methods
|
|
• THMUS 511 — Theory V: 20th Century and Beyond
|
|
• THMUS 511H — Honors Theory V: Music of the 20th Century and Beyond
|
Music Theory: Electives |
|
• MHMUS 475 — Music in the Americas: A Cross-Cultural Perspective
|
|
• THMUS 522E — Nationalism in 19th-Century Chamber Music
|
|
• THMUS 523E — Counterpoint Organic Line
|
|
• THMUS 526E — Brahms and Wagner
|
|
• THMUS 528E — The Art Song: From Schubert to Rorem
|
|
• THMUS 534E — Time-Benders: Stravinsky, Messiaen, Carter, and Others
|
|
• THMUS 540E — The Symphonies of Beethoven
|
|
• THMUS 541E — The Art of Tonal Counterpoint
|
|
• THMUS 543E — The Symphonies of Brahms
|
|
• THMUS 544E — Giacomo Puccini: Verismo and Expanding the Boundaries in Italian Opera
|
|
• THMUS 547E — Classicism in Music During the Romantic, Impressionistic and Early Contemporary Periods
|
|
• THMUS 553E-554E — Advanced Counterpoint
|
|
• THMUS 555E-556E — Advanced Harmony
|
|
• THMUS 569E — The Music of Stravinsky
|
|
• THMUS 570E — Stravinsky in America
|
Music History |
|
• MHMUS 111 — From Antiquity to 1700
|
|
• MHMUS 211 — From 1700 to 1850
|
|
• MHMUS 311 — From 1850 to the Present
|
Music History: Electives |
|
• MHMUS 415 — Bach’s Cantatas
|
|
• MHMUS 438 — Beethoven: Life, Music, Myth
|
|
• MHMUS 439 — Mozart’s Narrative Art
|
|
• MHMUS 446 — Beethoven in the Age of Napoleon
|
|
• MHMUS 446H — Honors: Music and the Cold War, 1945–1990
|
|
• MHMUS 452 — Music on the Edge Since 1900
|
|
• MHMUS 453 — Modernism in Opera
|
|
• MHMUS 455 — The Arts in the Third Reich
|
|
• MHMUS 459 — Musical Identity in the Modern World
|
|
• MHMUS 464 — The Requiem
|
|
• MHMUS 469 — Leonard Bernstein: Life and Work
|
|
• MHMUS 473 — History of English Music
|
|
• MHMUS 475 — Music in the Americas - A Cross-Cultural Perspective
|
|
• MHMUS 476 — French Chanson, Mélodie, and the Merveilleux
|
|
• MHMUS 477 — Faust in Music
|
|
• MHMUS 480 — The Great Conductors
|
|
• MHMUS 482 — Introduction to Ethnomusicology
|
|
• MHMUS 486 — Music in New York City, 1865 to the Present
|
|
• MHMUS 489 — Music Across Media: From Orpheus to Nintendo
|
|
• MHMUS 490 — Music and Community
|
Music Literature |
|
• MLMUS 301-302 — Guitar History and Literature
|
Piano Literature |
|
• MLMUS 133-134 — Piano Literature I
|
|
• MLMUS 233-234 — Piano Literature II
|
|
• MLMUS 333-334 — Piano Literature III
|
|
• MLMUS 511 — Juilliard PianoScope
|
Music Studies |
|
• MSMUS 100 — Piano Topics
|
|
• MSMUS 100A — Alexander Technique
|
|
• MSMUS 211 — Basics of Conducting
|
|
• MSMUS 221-222 — Piano Performance Class I
|
|
• MSMUS 221-222 — Piano Performance Class II
|
|
• MSMUS 260 — Composing With Technology
|
|
• MSMUS 303R-304R — Composition Practicum
|
|
• MSMUS 321-322 — Piano Performance Class III
|
|
• MSMUS 421-422 — Piano Performance Class IV
|
|
• MSMUS 445 — Practicum in Classroom Pedagogy
|
|
• MSMUS 446 — Practicum in Classroom Pedagogy
|
|
• MSMUS 500 — Departmental Seminars
|
|
• MSMUS 503R-504R — Composers’ Forum
|
|
• MSMUS 505 — Career Development Seminar
|
|
• MSMUS 511-512 — Orchestral Conducting (for Non-Majors)
|
|
• MSMUS 513R-514R — Organ Performance Class
|
|
• MSMUS 519-520 — Composition (for Non-Majors)
|
|
• MSMUS 531R-532R — Guitar Performance Class
|
|
• MSMUS 533-534 — Advanced Orchestration
|
|
• MSMUS 533R-534R — Piano Forum
|
|
• MSMUS 549 — Viennese Song and Fortepiano
|
|
• MSMUS 560 — Introduction to Music Production
|
|
• MSMUS 596C-597C — Chamber Music Community Service Seminar
|
|
• MSMUS 621-622 — Piano Performance Class
|
Orchestras and Ensembles |
|
• PFENS 501L — Juilliard Community Chorus
|
|
• PFENS 511L-512L — Juilliard Orchestra
|
|
• PFENS 531L-532L — Conductors’ Lab Orchestra
|
|
• PFENS 531S-532S — AXIOM
|
|
• PFENS 541S-542S — Trombone Choir
|
|
• PFENS 571S-572S — Percussion Ensemble
|
Chamber Music Ensembles |
|
• CMENS 141-142 — String Quartet Survey
|
|
• CMENS 521-522 — American Brass Quintet Seminar
|
|
• CMENS 531-532 — Chamber Music
|
|
• CMENS 531H-532H — Honors Chamber Music
|
|
• CMENS 541-542 — String Quartet
|
|
• CMENS 541H-542H — Honors String Quartet
|
|
• CMENS 561-562 — Two Pianos
|
|
• CMENS 583-584 — Mixed Ensemble Seminar (MXE)
|
Repertory Classes |
|
• PFENS 511R-512R — Orchestral Repertory for Violin
|
|
Page: 1
| 2
| 3
| 4
| 5
| 6
|