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Graduate Studies: Core Seminars in Music History |
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• GRMUS H660 — Music, Performing, and the Public
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• GRMUS H661 — Music Since World War II
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• GRMUS H670 — The Concerto: Its Evolution Since 1615
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• GRMUS H676 — Music Born in Crisis
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• GRMUS H678 — Beethoven From the Enlightenment
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• GRMUS H680 — Women Composers Before 1800
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• GRMUS H684 — Foundations of African American Music
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• GRMUS H686 — First Nights
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• GRMUS H694 — Music & 20th Century Movements
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• GRMUS H695 — African-American Music Since the Harlem Renaissance
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• GRMUS H697 — Music in New York City
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Graduate Studies: Core Seminars in Music Theory |
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• GRMUS T603 — Graduate Theory Review
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• GRMUS T610 — Bach’s Well-Tempered Clavier in Context
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• GRMUS T615 — Beethoven’s Late Piano Sonatas
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• GRMUS T620 — The Baroque Concerto
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• GRMUS T623 — Advanced Counterpoint
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• GRMUS T624 — Advanced Counterpoint
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• GRMUS T625-6 — Advanced Studies in Harmony
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• GRMUS T633 — Music in Context
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• GRMUS T637 — Contrapuntal Analysis: The Fabric of Music
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• GRMUS T640 — The New and the Old
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• GRMUS T641 — The American Symphony: Ives to Corigliano
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• GRMUS T643 — The Bartók String Quartets
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• GRMUS T644 — Beethoven: The Heroic Decade, 1800-1810
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• GRMUS T645 — Methods of Analysis
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• GRMUS T657 — Schubert and Schumann: The Song Cycles
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• GRMUS T662 — Schoenberg and the Serial Legacy
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• GRMUS T663 — European Avant-garde Composers: 1945-1980
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• GRMUS T670 — 19th-Century German Art Song
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• GRMUS T671 — Introduction to Post-Tonal Theory
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• GRMUS T672 — String Music: Debussy to Bartók
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• GRMUS T675 — Writing Cadenzas
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• GRMUS T682 — Music Theory Pedagogy
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• GRMUS T693 — Schenkerian Analysis I
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• GRMUS T694 — Schenkerian Analysis II
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Graduate Studies: Elective Seminars in Music |
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• GRMUS S687 — The Great Pianists
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Graduate Studies: Departmental Practicums in Music |
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• GRMUS P634 — Tonal Improvisation
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• GRMUS P658 — Jazz Practicum for Pianists
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• GRMUS P670 — Composers and Choreographers
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• GRMUS P671 — Early Music Vocal Literature
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• GRMUS P673 — Opera Lab Seminar
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• GRMUS P674 — Opera Lab Practicum
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• GRMUS P677-8 — Opera Performance Technique for Pianists
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• GRMUS P679-80 — Russian Diction/Vocal Literature
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• GRMUS P682 — British and American Song Literature
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• GRMUS P683-4 — French Vocal Literature
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• GRMUS P685-6 — German Vocal Literature
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• GRMUS P687-8 — Italian Vocal Literature
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• GRMUS P691-2 — Instrumental Accompanying I
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• GRMUS P693-4 — Skills of Vocal Accompanying
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• GRMUS P695-6 — The Art of Vocal Coaching
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• GRMUS P697-8 — Orchestral Keyboard Repertoire
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• GRMUS P791-2 — Instrumental Accompanying II
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Graduate Studies: General Practicums in Music |
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• GRMUS P610 — Baroque as a Second Language: Historical Performance for Modern Players
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• GRMUS P611 — Baroque as a Second Language: Historical Performance for Modern Players
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• GRMUS P633 — Improvisation
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• GRMUS P639 — Accompanying Dance
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• GRMUS P649 — Viennese Song and Fortepiano
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• GRMUS P651-2 — Performance Workshop on 20th- and 21st-Century Music
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• GRMUS P655 — Cultural Equity and Performance Practice
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• GRMUS P656 — Jazz Practicum
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• GRMUS P660 — Introduction to Music Technology
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• GRMUS P662 — Composing for Visual Media
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• GRMUS P663 — Creation, Improvisation & Technology
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• GRMUS P664 — Scoring to Picture Workshop
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• GRMUS P665 — Independent Study in Emerging and Collaborative Arts
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• GRMUS P666 — Music Production Workshop
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• GRMUS P667 — Introduction to Interactive Music Technology
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• GRMUS P672 — From Studio to Stage
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• GRMUS P675 — Performance Enhancement
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Graduate Studies: Entrepreneurship and Career Development in Music |
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• GRMUS E605 — Career Development Seminar
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• GRMUS E607 — A Career in Music: Foundations for Success
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• GRMUS E614 — Musician as Entrepreneur
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• GRMUS E615 — Breaking Barriers: Classical Music in an Age of Pop
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• GRMUS E620 — Speaking of Music: How to Talk and Write About Music
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• GRMUS E630 — Future Stages
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• GRMUS E633-4 — Suzuki Pedagogy
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• GRMUS E644 — Arts in Education
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• GRMUS E645 — Practicum in Classroom Pedagogy
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• GRMUS E646 — Practicum in Classroom Pedagogy
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• GRMUS E651 — Piano Pedagogy
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• GRMUS E653 — The Art of Teaching in the Music Studio
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• GRMUS E674 — Leadership and Innovation in the Creative Arts
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Graduate Studies: Departmental Requirements in Music |
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• GRMUS R600 — Conductors’ Forum
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• GRMUS R601-2 — Sonatas for Accompanists I
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• GRMUS R603-4 — Composition Seminar
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• GRMUS R611-2 — Songs for Accompanists
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• GRMUS R621 — Principles of Conducting
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• GRMUS R622 — Conducting Seminar
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• GRMUS R623-4 — Studio Accompanying
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• GRMUS R701-2 — Sonatas for Accompanists II
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• GRMUS R721-2 — Conducting Seminar
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• MSMUS R511-2 — Advanced Score Reading and Musicianship for Conductors
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• MSMUS R623-4 — Repertoire Performance
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Doctoral Requirements |
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• DRMUS E671-2 — Graduate Reading Course in French
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• DRMUS E681-2 — Graduate Reading Course in German
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• DRMUS E691-2 — Graduate Reading Course in Italian
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• DRMUS 810 — Music Reference and Research
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• DRMUS 811-2 — Analytical Methods
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• DRMUS 820 — Approaches to Scholarly Editing of Music
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