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Graduate Studies: Core Seminars in Music History
	• GRMUS H686 — First Nights
	• GRMUS H694 — Music & 20th C. Movements
	• GRMUS 688 — Church as Conservatory
Graduate Studies: Core Seminars in Music Theory
	• GRMUS T603 — Graduate Theory Review
	• GRMUS T606 — Bach’s Matthew and John Passions
	• GRMUS T615 — Beethoven’s Late Piano Sonatas
	• GRMUS T616 — The Late Beethoven Quartets
	• GRMUS T623 — Advanced Counterpoint: Compositional Counterpoint and the Organic Line
	• GRMUS T624 — Advanced Counterpoint: Invertible Counterpoint, Canon and Fugue
	• GRMUS T625-6 — Advanced Studies in Harmony
	• GRMUS T633 — Music in Context
	• GRMUS T637 — Contrapuntal Analysis: The Fabric of Music
	• GRMUS T638 — String Music: Brahms to Bartok
	• GRMUS T640 — The New and the Old
	• GRMUS T641 — The American Symphony: Ives to Corigliano
	• GRMUS T644 — Beethoven: The Heroic Decade, 1800-1810
	• GRMUS T645 — Methods of Analysis
	• GRMUS T657 — Schubert and Schumann: The Song Cycles
	• GRMUS T662 — Schoenberg and the Serial Legacy
	• GRMUS T663 — European Avant-garde Composers: 1945-1980
	• GRMUS T664 — The Music of Stravinsky
	• GRMUS T671 — Introduction to Post-Tonal Theory
	• GRMUS T682 — Music Theory Pedagogy
	• GRMUS T693 — Schenkerian Analysis I
	• GRMUS T694 — Schenkerian Analysis II
Graduate Studies: Elective Seminars in Music
	• GRMUS S687 — The Great Pianists
Graduate Studies: Departmental Practicums in Music
	• GRMUS P658 — Jazz Practicum for Pianists
	• GRMUS P670 — Composers and Choreographers
	• GRMUS P671 — Early Music Vocal Literature
	• GRMUS P673 — Opera Lab Seminar
	• GRMUS P674 — Opera Lab Practicum
	• GRMUS P677-8 — Opera Performance Technique for Pianists
	• GRMUS P679-80 — Russian Diction/Vocal Literature
	• GRMUS P682 — British and American Song Literature
	• GRMUS P683-4 — French Vocal Literature
	• GRMUS P685-6 — German Vocal Literature
	• GRMUS P687-8 — Italian Vocal Literature
	• GRMUS P691-2 — Instrumental Accompanying I
	• GRMUS P693-4 — Skills of Vocal Accompanying
	• GRMUS P695-6 — The Art of Vocal Coaching
	• GRMUS P697-8 — Orchestral Keyboard Repertoire
	• GRMUS P791-2 — Instrumental Accompanying II
Graduate Studies: General Practicums in Music
	• GRMUS P610 — Baroque as a Second Language: Historical Performance for Modern Players
	• GRMUS P611 — Baroque as a Second Language: Historical Performance for Modern Players
	• GRMUS P633 — Improvisation
	• GRMUS P651-2 — Performance Workshop on 20th- and 21st-Century Music
	• GRMUS P656 — Jazz Practicum
	• GRMUS P660 — Introduction to Music Production
	• GRMUS P662 — Scoring to Picture
	• GRMUS P663 — Creation, Improvisation & Technology
	• GRMUS P664 — Scoring to Picture Workshop
	• GRMUS P665 — Independent Study in Music Production
	• GRMUS P666 — Music Production Workshop
	• GRMUS P667 — Introduction to Interactive Music Technology
	• GRMUS P668 — Advanced Interactive Music Technology
	• GRMUS P675 — Performance Enhancement
Graduate Studies: Entrepreneurship and Career Development in Music
	• GRMUS E605 — Career Development Seminar
	• GRMUS E613 — The Musician as Entrepreneur
	• GRMUS E615 — Breaking Barriers: Classical Music in an Age of Pop
	• GRMUS E620 — Speaking of Music: How to Talk and Write About Music
	• GRMUS E633-4 — Suzuki Pedagogy
	• GRMUS E640 — Insights Into Learning: An Introduction to Music Pedagogy
	• GRMUS E644 — Arts in Education
	• GRMUS E651 — Piano Pedagogy
	• GRMUS E653 — The Art of Teaching in the Music Studio
	• GRMUS E670 — The Arts and Society
	• GRMUS E674 — Leadership and Innovation in the Creative Arts
Graduate Studies: Departmental Requirements in Music
	• GRMUS R600 — Conductors’ Forum
	• GRMUS R601-2 — Sonatas for Accompanists I
	• GRMUS R603-4 — Composition Seminar
	• GRMUS R611-2 — Songs for Accompanists
	• GRMUS R621 — Principles of Conducting
	• GRMUS R622 — Conducting Seminar
	• GRMUS R623-4 — Studio Accompanying
	• GRMUS R701-2 — Sonatas for Accompanists II
	• GRMUS R721-2 — Conducting Seminar
	• MSMUS R511-2 — Advanced Score Reading and Musicianship for Conductors
	• MSMUS R623-4 — Repertoire Performance
	• MSMUS 621-2 — Piano Performance Class
Doctoral Requirements
	• DRMUS E671-2 — Graduate Reading Course in French
	• DRMUS E681-2 — Graduate Reading Course in German
	• DRMUS E691-2 — Graduate Reading Course in Italian
	• DRMUS 810 — Music Reference and Research
	• DRMUS 811-2 — Analytical Methods
	• DRMUS 820 — Approaches to Scholarly Editing of Music
	• DRMUS 901-2 — Doctoral Topics
	• DRMUS 911 — Studies in Style Criticism
	• DRMUS 912 — Analysis for Performers
Liberal Arts Core
	• LARTS 101-2 — Writing Seminar
	• LARTS 111 — Ethics - Conscience and the Good Life
	• LARTS 112 — Society, Politics, and Culture
	• LARTS 212 — Citizenship, Art, and Politics
Liberal Arts Electives: Humanities (Art History)
	• LARTS 340 — Frozen Music: On Interrelating the Arts
	• LARTS 343 — Art of the 19th Century
	• LARTS 346 — Art of the United States
	• LARTS 348 — Opera: Music and the Visual Arts
	• LARTS 349 — Art of the Renaissance
Liberal Arts Electives: Humanities (Literature and Creative Writing)
	• LARTS 315 — Writing Poetry and Flash Fiction
	• LARTS 357 — War and Literature
	• LARTS 359 — English Romantic Literature of the 19th Century: Sublime, Gothic, Heroic

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