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Keyboard Studies
	• KSMUS 001-2 — Keyboard Sight-Reading
	• KSMUS 111-2 — Keyboard Skills I
	• KSMUS 141 — Piano Class I
	• KSMUS 142 — Piano Class II
	• KSMUS 211 — Keyboard Skills II
	• KSMUS 222 — Advanced Keyboard Skills
	• KSMUS 241 — Piano Class III
	• KSMUS 242 — Piano Class IV
	• KSMUS 501-2 — Practical Techniques for Service Playing
	• KSMUS 511-2X — Keyboard Skills IxIIx
Music Theory and Analysis
	• THMUS H111 — Honors Theory I: Aspects of Form and Structure
	• THMUS H211 — Honors Theory II: Chromatic Harmony and Analysis I
	• THMUS H311 — Honors Theory III: Chromatic Harmony and Analysis II
	• THMUS H411 — Honors Theory IV: Counterpoint and Analytical Methods
	• THMUS H511 — Honors Theory V: Music of the 20th Century and Beyond
	• THMUS 111 — Theory I: Diatonic Harmony
	• THMUS 211 — Theory II: Principles of Form
	• THMUS 311 — Theory III: Chromatic Harmony and Analysis
	• THMUS 411 — Theory IV: At Tonality’s Edge
	• THMUS 511 — Theory V: 20th Century and Beyond
Music Theory: Electives
	• THMUS E514 — The Well-Tempered Clavier: A Musical Treatise on Composition
	• THMUS E522 — Nationalism in 19th-Century Chamber Music
	• THMUS E526 — Brahms and Wagner: Two Paths in 19th-Century German Music
	• THMUS E528 — The Art Song From Schubert to Rorem
	• THMUS E537 — The Symphonies of Beethoven and Brahms
	• THMUS E538 — A Wild Ride: Music of the Late 20th-Century from Messiaen to Golijov
	• THMUS E541 — The Art of Tonal Counterpoint
	• THMUS E545 — The World of 20th/21st-Century Tonal Music
	• THMUS E546 — Developing Variation: From Beethoven to Schoenberg
	• THMUS E547 — Classicism in Music: 1830-1930
	• THMUS E549 — The Intersection of Vocal and Instrumental Music
	• THMUS E550 — Late Surge: Janáček’s Last Decade
	• THMUS E553-4 — Advanced Counterpoint
	• THMUS E555-6 — Advanced Studies in Harmony
	• THMUS E570 — Stravinsky in America
Music History
	• MHMUS 111 — From Antiquity to 1700
	• MHMUS 211 — From 1700 to 1850
	• MHMUS 311 — From 1850 to the Present
Music History: Electives
	• MHMUS H444 — German Nationalism and Classical Music
	• MHMUS 409 — Medieval Music and the Modern Imagination
	• MHMUS 413 — C.P.E. Bach, Frederick the Great, and the Enlightenment Court
	• MHMUS 425 — Eighteenth-Century Works, Sources, and Contexts
	• MHMUS 427 — Music and Revolution
	• MHMUS 429 — National and Cosmopolitan Styles in the Baroque
	• MHMUS 439 — Mozart’s Narrative Art
	• MHMUS 442 — 33 Variations on Beethoven
	• MHMUS 452 — Music on the Edge Since 1900
	• MHMUS 453 — Modernism in Opera
	• MHMUS 455 — The Arts in the Third Reich
	• MHMUS 458 — New Currents From Asia
	• MHMUS 464 — The Requiem
	• MHMUS 473 — History of English Music
	• MHMUS 475 — Music in the Americas - A Cross-Cultural Perspective
	• MHMUS 477 — Faust in Music
	• MHMUS 490 — Music and Community
Music Literature
	• MLMUS 101-2 — Organ Literature
	• MLMUS 301-2 — Guitar History and Literature
Piano Literature
	• MLMUS 133-4 — Piano Literature I
	• MLMUS 233-4 — Piano Literature II
	• MLMUS 333-4 — Piano Literature III
	• MLMUS 511 — Juilliard PianoScope
Music Studies
	• MSMUS C596-7 — Chamber Music Community Service Seminar
	• MSMUS R303-4 — Composition Practicum
	• MSMUS R503-4 — Composers’ Forum
	• MSMUS R513-4 — Organ Performance Class
	• MSMUS R531-2 — Guitar Performance Class
	• MSMUS R533-4 — Piano Forum
	• MSMUS 001 — Alexander Technique
	• MSMUS 100 — Piano Topics
	• MSMUS 110 — Piano Performance Class I
	• MSMUS 141-2 — Fretboard Harmony I
	• MSMUS 211 — Basics of Conducting
	• MSMUS 221-2 — Piano Performance Class II
	• MSMUS 260 — Composing With Technology
	• MSMUS 321-2 — Piano Performance Class III
	• MSMUS 421-2 — Piano Performance Class IV
	• MSMUS 500 — Departmental Seminars
	• MSMUS 505 — Career Development Seminar
	• MSMUS 511-2 — Orchestral Conducting (for non-majors)
	• MSMUS 513 — Improvisation
	• MSMUS 519-20 — Composition (for non-majors)
	• MSMUS 531-2 — Orchestration
	• MSMUS 560 — Introduction to Music Production
	• MSMUS 573 — Opera Lab Seminar
	• MSMUS 574 — Opera Lab Practicum
Orchestras and Ensembles
	• PFENS L511-2 — Juilliard Orchestra
	• PFENS L531-2 — Conductors’ Lab Orchestra
	• PFENS S511-2 — New Juilliard Ensemble
	• PFENS S521-2 — Juilliard Chamber Orchestra
	• PFENS S531-2 — AXIOM
	• PFENS S541-2 — Trombone Choir
	• PFENS S571-2 — Percussion Ensemble
Chamber Music Ensembles
	• CMENS H531-2 — Honors Chamber Music
	• CMENS H541-2 — Honors String Quartet
	• CMENS 141-2 — String Quartet Survey
	• CMENS 521-2 — American Brass Quintet Seminar
	• CMENS 531-2 — Chamber Music
	• CMENS 541-2 — String Quartet
	• CMENS 561-2 — Two Pianos
	• CMENS 583-4 — Mixed Ensemble Seminar (MXE)

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